Shooting a wedding... prepare, and then be flexible

I got the chance to shoot my wife's cousins wedding and reception on last Saturday.  I felt like I really had my stuff together and was as prepared as I could have been.  It felt like it was planning for going into battle.  All the things that I have read and learned from all sorts of sources on the internet made my time really enjoyable, and challenging.  So I tried to do it all.  Shoot video and shoot photos.  I kick myself for missing things, or wishing I had X piece of equipment handy, or not doing more.  I look back now and realize that I could have done so much more.  But all that doesn't matter now.  All I can do is put together the best possible video and edit the best possible photos to capture the day.  In the end, I loved it, and I think they will love the final product too.

Here is what I came away with for the video:
Here is the link in case the video doesn't play. http://5d2.smugmug.com/Weddings/Jen-Wedding/i-R8gpQJd/0/1080/JenWeddingCompilation-1080.mp4

Here are the photos:
http://5d2.smugmug.com/Weddings/Jen-Wedding

Things I did right
I brought almost everything that I own, equipment wise.
I made a shot list for all of the "wedding events" so that I knew what was coming, and what was left.
I watch other wedding videos to get ideas.
I made people laugh and got some very good shots.
I didn't settle with good enough shots, I took on complex shots that paid off.
I stayed out of the way.  I did my thing, and hopefully was not distracting to the guests.
I got all the shots on my shots list.

Things I did wrong
I left the Zoom H4N on Phantom power, which sucked the batteries dry in minutes, not hours.  Lost audio files of the ceremony because of that.
I didn't carry both cameras with me at all times.  I should have.  I need a belt/holder for second and third cameras.
I didn't start the GoPro because of my fear of running out of battery in the middle of the ceremony, and I didn't have any good spot, or way to mount the camera in trees.
I didn't bring an assistant to hold a reflector or a diffuser.
I didn't set the shutter speed and ISO on some of the inside shots and got harsh shadows.   Single flash system does not hold up well with large wedding parties.
I didn't balance the stabilizer to perfection so I had to post stabilize.
I didn't use the jib for the wedding ceremony, to get shots over the crowd standing for the bride entering. Although, this was probably good since I would have had to change the depth of focus and could have really screwed it up.

Things that I learned
In the end, I am happy with what I was able to do.  It was worth the hours of planning, the equipment testing. But here are the little things that I learned along the way.

1. Don't try to be the photographer and the videographer.  You really need multiple cameras and multiple people shooting to do video well.  There are so many angles, and movements that you need to do with video to make it interesting.  And of course to capture all the little moments you really need a dedicated photographer.  Switching back and forth, and making sure all the settings for the cameras switch as well, is not a good place to be in.  It can be done, but I would not recommend it.  Also, don't try to shoot anything if you are suppose to be in it.

2. Don't let the batteries run out on a Zoom H4N while recording.  If you do, take out the card and put a new card in so that you have a chance of recovering what you did record.  There is a good chance you can, but not if you replace the batteries and continue recording to the same card.  Don't leave phantom power on, if you aren't using a powered condenser mic.  I had the Sennheiser G3 wireless mics that don't need phantom power, and I left it on and got maybe 30 minutes of record time.

3. Learn how to make people laugh.  People are usually pretty solemn at weddings, but if you bring out the joy, however you can, you will be remembered and you will get shots that look like people are really glad to be there.

4. Plan ahead as much as possible.  Get there early, and if possible, go there before hand to scout out the great locations for shots. If you are looking for good spots while people are waiting for you, they will get bored and frustrated.

5. Learn how to direct people to do what you want.  Chin down, turn to your left, step forward need to be direct and assertive.  For those few moments, you are the boss and you can't be timid about asking for what you want.  This does mean that you have to do it in a way that stops people relaxed and happy.  Don't be a photo Nazi. Be a stewardess on a first class flight to Hawaii.  Happy people make better photos and video.

6. Don't waste people's time trying to get your camera to work.  You should take a test shot as people are gathering for you, check the settings to make sure you know what is best for the situation, and then shoot.  Talk to people while you are shooting so that they have some feedback.  If you are stuck staring at the back of your camera, or spending time adjusting things, people will get bored and not listen.

7. With large groups of people, take lots of shots.  If there are kids in the shot, don't try to hard to make them look at you, chances are that if you are being entertaining to the group, the kids will look as well.  So catch them when they do by taking more shots.  If you are any good with Photoshop, you will be able to edit the perfect shot with a composite of multiple shots.
 
8. Make sure you set expectations up front.  Shooting is about 1/6 the battle.  Remember that for every good picture, I spend about 10 minutes per photo.  From every 1 minute of good video, I spend about 6 minutes of editing.  So, why does that matter? Because you want to set expectations about what it will take before someone is going to get your final product(s).

Canon 5D Mark III with Magic Lantern In-depth review

Hi all, Dave here.  For a very informative and very helpful review for anyone looking at the decision to buy the Canon EOS 5D Mark III camera, watch the video.

For those that like to read, here is a summary text of the review.
Reasons why I was looking at the 5D Mark III to replace my 7D.
1. Moire and poor anti-aliasing.
2. Lens purchase decisions fork in the road (crop vs full frame)
Compared to the 7D, the 5D Mark III is better at everything, higher quality build, built for video, full HDMI out.  Then came the 6D, full frame.  Mega pixels, focus, no headphone jack, but GPS, Wifi, didn't have the video quality of the 5D Mark III.
Compared to 5D Mark III and the Cinema series C300, C500 to get to 4K $$$ and missing features

And then came Magic Lantern video raw...
 -24fps 14bit raw video that blows away 8bit compressed video and competes with RED at least at 1080P
 -Promise of even better future... MLV format, ISO less HDR video (14 stops of dynamic range), compressed RAW, Sound, stabilized features/bugs

Things I love about the 5D Mark III
Camera features:
 -focus speed, FPS photos, auto-focus settings
 -no aliasing, no moire,
 -sensor is better, beautiful photos,
 -less noise at high ISO
 -600EX flash, High speed sync,
Magic Lantern features:
 -video quality
 -color depth 14bit amazing dynamic range ,
 -focus peaking,
 -zoom, mixed with 70-200 IS II L, amazing 600mm Zoomed video at F2.8
 -intravalometer,
 -histogram,
 -scopes,
 -advanced bracketing,

Things you will have to live with...
It is not perfect... yet.
- Setup/install/update of Magic Lantern not for the weak (hard to find and know the instructions are correct)
- Upgrades fixed pink frames but removed audio
- Raw video post processing steps/time (Rawanizer -> After Effects/Camera Raw-> Premiere)
- No audio sync, all separate and external (Zoom H4N)
- Sometimes flaky (video recording errors, pink frames, slow to start recording)
- 11 minutes of video per 64GB better know what you want and not waste time rolling
- Shooting Raw video in full hot sun temp issues

Is it worth it...
 - Resounding YES!  For the price and the quality and features, YES, you would have to spend $$$$$ on RED + accessories to get the quality with not all of the features (no photos), or double on Black Magic Cinema and get a cropped lens coverage with less features (no photos).

Accessories that you have to have:
 - A video editing capable computer to process the Raw video
 - Komputerbay 64GB(1000x) $120 or 256GB (1200x) $600
 - CarrySpeed VF-3 (used to see live video focus peaking)
 - Zoom H4N, H1, H6 (Quality sound recording)
 - Tripod with a Fluid head for smooth video pans

Huge price drop ($200) on the DJI Phantom over at Dronefly.com

---BREAKING NEWS---  DJI Phantom price drop

If you are interested in getting into the fun of flying your GoPro Hero 3 using a quadcopter, now is the time. Dronefly has dropped the price of the DJI Phantom down to $479.00 (from $679.00) That means that you can get the whole package, DJI Phantom ($479.00), DJI Zenmuse Gimbal (still $679.00), and GoPro Hero 3 Black (now $329.00) for a total of $1487.00. Of course you will still need extra batteries, extra props, and other accessories but this is huge.  I have worked with the guys over at Dronefly and they are great guys who go above and beyond to help all their customers.  Tell them that David Watson sent you.

This amazing quadcopter is so easy to fly and easy to get amazing HD aerial film. It is so easy to fly that even a child could do it!  Here is some of the amazing video that I have shot with this great combination.

Wild Tarantula crossing... up close and personal

So another day out looking for amazing video... Today's venture took me to the west side of Utah Lake. A long stretch of two lane highway with shooting ranges and beautiful views of the mountains all around.  I haven't been out there since I use to ride my bullet bike at speeds faster than I should have.  The weather was stormy, but not a bit of wind.  Perfect conditions to fly the DJI Phantom quadcopter.  I flew around for while, trying to capture some the beautiful light that was shooting through the clouds.  Got some footage.

It wasn't until the ride back that things got interesting.   It was about 7'oclock when I saw something on the road from quite a distance. As I came by and passed it, I realized that this thing was a big tarantula!  I flipped my car around and drove back to find this guy hanging out in the middle of the road.  I grabbed the camera and went to get up close and personal with him.  I realized that this guy was not going to move, despite the danger of staying in the road.  I grabbed a stick and helped him along to get out of harms way.  Luckily all the cars that passed stayed out of the lane and he safely made it to the other side.  I got back in my car and started driving home again.  I wasn't another mile later that I saw yet another one!  I decided that I wouldn't go back this time and kept going.  Another 1/2 mile, and another one and this one was even bigger than the last two.  I stopped and got the camera, and the tripod and got right up in this ones face.  Wow, what a face.  These creatures are amazing.  They are so tall when they stand up and get all defensive.  So I got some good video of that one and set off again.  I saw 3 more on the road.  I knew that we had tarantula's here in Utah, but I had no idea where they were, or how many there must be.  Scary!

So here is the video.  I added some of the flight video as to not scare you too badly.  Watch in 1080p if you aren't scared at all.


As always, this was shot with Canon 5D Mark III, Magic Lantern Video Raw (14bit), 24fps, DJI Phantom with GoPro Hero 3 attached to Zenmuse H3-2D, 1080P 48fps and color corrected in Adobe Premiere.

Ice Hockey at Seven Peaks Ice Arena

Hi all.  Yesterday I invited myself to a hockey game that my daughter's-boyfriend's-friend plays in. It is a C-league team called the Mudds.  As you can probably tell I am trying to learn about shooting video and want to try and get better at it.  I decided to once again shoot with the 5D Mark III, Magic Lantern Raw (of course) and the Canon 70-200 F2.8 L II lens.  I gotta say, this lens never ceases to amaze.  The stabilization that the lens has makes it really great for video.

So here is what I learned.  Following a puck and keeping everything in focus is hard to do... and I thought football was hard!  I started out really getting up-close and personal with the zoom, mostly keeping everything at F2.8 and ISO 100.  I ended up, near the end of the game, shooting at F8 and ISO 1600 and keeping the zoom to a minimum.  Oh, I also ended up mounting a GoPro Hero 3 above the goal to catch the action.  I shot it at 1080P, 48fps, Spot metering: Off, Protune On.  This is because when I merge the footage of GoPro and the Canon it looks much better to have matching frame rates.  I know that people will tell you that Adobe Premiere can handle different frame rates, and it can, it just ends up skipping frames.  For me, this ends up looking jerky and not good.  The 48fps makes it so I can slow the action down for those really cool instant replay action shots.

I also asked the people running the place if I might be able to fly the quadcopter above a game.  They said "maybe... let me get back to you", so at least it wan't an outright "no".  I think I would have to have FPV googles to pull it off though.  It would be fairly hard to follow the action without seeing what the camera is seeing.

Here is the video.



I also took some stills.  Stills are what this camera is really meant to be able to do.  And it truly does!

 Gooooooooaaaaaaaalllll

Pads, who needs pads. 

 You talking to me?

Nice save

Sundance ski resort... a little piece of heaven

Hi all.  One of the most amazing places here in Utah is Sundance ski resort.  It is about 15 minutes up Provo Canyon. My family try to make it at least a few times a year to see the sites and take in the fall colors. While the leaves haven't changed yet, I could definitely see signs of colors coming.  (photos of last year below)

While they don't have any cool amusement types of rides like Park City, they do have amazing scenery, food, drinks, biking, hiking, and just about anything outdoors that you could want.  They also do weddings, company parties, family get-togethers and everything in between.  They also keep the ski lift running to take people up on top of the mountains!  Some of the hikes that they recommend also start at the top of the mountain.  Even if you are just looking for a little refreshment while traveling in the area, Sundance is great place to stop in for a treat.

I gotta say, I have been kicked out of a lot of places trying to shoot some aerial shots with the quadcopter. Some really stupid places that had no real reason other than just "no".  I was approached by a security guard at Sundance and I thought for sure that this was going to be just another "no" type of place... To my utter surprise, he actually pointed me to a open area that I could use and film to my hearts desire.  He not only said "YES", but helped me out!  Awesome place, awesome staff.  Thank you for your hospitality Sundance!

click for high res version

A little football anyone??? Lone Peak vs. Bountiful and the dynamic camera combo

Bountiful High School vs Lone Peak High School

Hello blogger readers.  Today I did some testing of the Canon 5D Mark III with Magic Lantern software installed shooting a high school football game.  I am going to be shooting a professional lacrosse game in a couple weeks and I wanted to test out the 70-200 F2.8 IS II mixed with high action and fast moving sports.  We all know that this lens and this body are amazing at sports photography... but what about video?  Can this dynamic combo really hold it's own when shooting video?  Well, I think it can, but can I.  Well, after looking at the footage, I need to get a lot better at controlling the focus and don't let people stand in front of me during big plays.  Other than that, I am amazed what this combination can do.  I'll keep trying to learn and get better to be worthy of this camera.

Congrats to the Lone Peak football team, they won 32-14!

As always, watch at 1080p... it's the gear icon, just below the video.

Here are some photos from the game...

Wild Buffalo on Antelope Island...how close is too close?

Hey everyone.  Take a look at wild buffalo on Antelope Island up-close-and-personal that I shot on Saturday.  It was an amazing day.  As I pulled across the causeway, the water was as still as a millpond.  No wind at all.  But then 3 minutes later, the wind picked up to about 40 Mph.  Needless to say, I didn't get any aerial shots but I did get some amazing shots of the wildlife. There is one shot where the buffalo walked across the road about 15 feet in front of me.  Didn't need a telephoto lens for that shot!  Enjoy




If you want to see more, check out my Youtube channel at http://www.youtube.com/user/dbrentwatson?feature=watch for reviews, and amazing video.

GoPro firmware update (07/29/2013) lowers the bitrate (quality) on Sandisk microSD cards

So if you have had a GoPro Hero 3 Black edition camera, chances are that you have probably had some problems  with it.  Lockups, auto-turn-off-while-recording that were a pain to live with.  So every firmware becomes a fingers crossed experience.  Well, things have gotten better.  But this update, has a little fine print that may effect you in a very negative way, and you wouldn't even know it.  It is listed under feature enhancements..  Here is the exact text from GoPro.

Feature Enhancements:

• Optimizes compatibility with select microSD cards by reducing data stream rate to 35Mb/sec while recording in 4K, 2.7K and Protune™ modes (HERO3: Black Edition only)

Sounds like they are doing you a favor, optimizing and all.  Unfortunately, if you have a Sandisk microSD card (like me), you just got royally screwed (or helped?).  Sounds like they ran some tests and found out that Sandisk micro SD cards aren't up to the task of recording at the bitrates that are really required for 2.7K, 4K, and they fail to mention, 1080P 60fps!

So after installing the firmware update, my Sandisk card records at 29Mbps for 1080P 60fps and 32Mbps for 2.7K.  So, I took a look at video that I shot before the update and sure enough, it was recording at 45Mbps for 1080P 60fps and 50Mbps for 2.7K.  Wow, I mean wow that is drop in bitrate quality by 33%!  

So, if you are like me, you are going to want to upgrade your microSD card if you plan on continuing to shoot and get the quality level that you were expecting.  I upgraded to the SAMSUNG 64GB Pro version that is listed as a "supported" card on GoPro's website.  You can find the list of compatible cards here.  And I am now back in business with the fast bit rates at 50 Mbps.  Scary reports of GoPro frying cards though.  

On a side note, I didn't notice before upgrade so I am thinking that this is also new with this version.  RAW white balance?  Anyone out there know if that was already available in a previous update and I just missed it?  I tried it out and I gotta say that I like it a lot.  

HD Video of flying over Main Street Park City Utah...

Hi all. Over the weekend I headed up to Park City, a high class mountain town here in Utah.  Park City is mostly known for the Sundance Film festival,  It is where all the movies stars come to debut their indie film works or just party with those who do.  It's a beautiful place in winter and in summer.  Here is some of the video, shot with the DJI Phantom Quadcopter and the Canon 5D Mark III, Raw.  Enjoy.


Music by David Watson

This time out I was more nervous flying than I have every been thus far.  The reason I think is because I have been kicked out of many places (i.e. Temple grounds, Football fields, Shopping centers)  and there happen to be a cop just down the street that was blocking traffic while they cleaned up a street festival down the road.  But, to my amazement, no one kicked me out, in fact, there were really just lots of people oooing and awing over the spectacle of the quadcopter.

This thing is a young boys and old men magnet.  I kid you not, if anyone is near, they flock to it like nothing else.  Young boys always ask 2 questions; "Where did you get that?" and "Can I fly it?"  Old men ask; "What is that called?" and "Does it have a camera?"

I have made a lot of friends and contacts by just flying.  It is a lot of fun.  Send me a comment and tell me what you think.

How to shoot the Milky way in a time-lapse, it's harder and easier than you think

Hi everyone.  I searched and search the internet for good information about how to shoot a time lapse of the milky way, surprisingly, I didn't find a whole lot of useful information.  Sure people are willing to share the settings on the camera, but to find the secrets of where to shoot, and how to shoot.

My guide to shooting night time time-lapse 

There are several things that have to come together before you try to go out and shoot.  The first is the phase of the moon.  You need the moon to not be out.  You can check the sunrise and sunset of the moon by your location at this site.

The next thing to check is the weather, check it here.  Make sure you check the cloud cover and the movement of the clouds at least a few hours before you go out somewhere.  You need the sky to be clear and you also need to know how much wind.  The reason for this is not only clouds, but the wind can kick up a lot of dust.  If there is a storm front coming in, chances are pretty good that along with that storm will kick up dust.

Ever here of light pollution?  Most of the time, if you live near any sort of city, you are going to have light pollution.  This is caused by all the lights that we keep on at night that end up reflecting and bouncing all over the place.  To find a place near you that has a dark enough sky, search here.

Ok, now we need to talk about equipment.  You need a camera, preferably a DSLR, with the ability to shoot long exposures.  How long? 10-30 seconds.  Most DSLR cameras can shoot up to 30 second shots in any mode.  You also need a wide angle lens.  The reason for this is because stars move.  If you zoom into a part of the sky, that smaller location will move more than looking at a whole lot of the sky with a wide angle lens.  You need a tripod and it needs to be stable.  The next thing is a intervalometer.  This is a device that will take a series of pictures at a specific interval.  I use Magic Lantern firmware which puts this capability in the camera.

That's it really.  There are lots of other equipment that can be used, but you don't need those things to take a good timelapse.

So I followed the steps above and this is location that I came up with:

It was far enough away to get out of most of the light pollution for my area and away from any traffic and close enough to drive within a couple hours.  The moon rise was 10:00 am so I didn't have to worry about the moon getting in the way, and the weather was mostly clear.  Because this is a timing thing that only happens every once in a while, I was willing to risk having a few scattered clouds.

Setting up

You need to find a location that has some amount of the earth in the shot.  You need this because without reference to something on the ground, it is hard for anyone watching to really see the amount of movement that is going on.  Also, because you are going to be shooting at a large aperture value (i.e. 2.8), you need to make sure that anything that is closer to you (like trees or bushes), isn't so close that you lose focus on the stars because of the depth of field.  Some of the more advanced shooters will increase the F-stop to allow for a larger depth-of-field to allow for this very thing.  You will then have to either increase the ISO, of increase the shutter speed to account for this.

I set the camera up, pointed at the horizon, and manually focus the camera.  Focus can be the most tricky part of setting up.  I usually end up turning on video mode, or live preview, and then pointing the camera at a star that is bright, and then manually adjusting focus so that the star is focused.  You may have to increase the ISO settings to above 3200 in order to really have the camera be able to "see" the stars.  If the stars are not bright enough, then you may have to resort to pointing at a man made light out in the distance to set the focus.

Next thing to setup is you camera settings.  Here are the ranges that you will want to test with:
Camera Manual mode
Lens: Turn off Autofocus
Lens width: 11mm - 24mm  (depends on crop or full frame camera)
ISO: 1600-6400
Shutter speed:  10-30 seconds
Aperture: F2.8 - F5.6
Intervalometer: Every 1-10 seconds (depends on how fast the shutter speed is)

Set the picture style to Faithful
Set the White Balance to 3200 K.  Do not leave it on Auto White Balance.

So take some test shots.  Keep the ISO as low as you can, but capture as much light as you possibly can. Try ISO at 1600, Shutter speed at 25 seconds.  In the camera preview mode, just remember that in really dark environments that the screen will look a lot brighter than the actual photo (or video frame).

Taking the sequence of shots

So now set the Intervalometer to take a picture every (shutter speed) + 1 second.  The length of the video will depend on how many shots you take.  Remember that every frame is only 1/24th or 1/30th of a second in video.  So for a 10 second video, you need 240 shots.  If you are taking 2 shots a minute, you need to shoot roughly 2 hours worth of shots.  This also may depend on the capabilities of your camera, but most should be able to handle it.  If you are using Magic Lantern on a Canon camera, this will work. I have tried using long exposure noise reduction and because it take quite a bit of time to process each frame in camera, I don't recommend it.  You can do better noise reduction in post. 

 
Obviously keeping the camera still is assumed.  If you have a lot of wind, you may want to make sure that you tripod is sufficiently weighted down to resist any movement.

That's it for the shooting part.  In my next blog post I will go over how to process the frames into a video.

 
 

Wacom Cintiq 24HD Touch in-depth review

So you are thinking about buying Wacom Cintiq 24HD Touch

Reasons that I thought about buying… As a long time lover of the Wacom products, I had quite a history with using their products.  I had a serial 9x11 (and for those of you that don't know what serial was, there use to be serial and parallel interfaces in computers of old, is has since been replaced by USB and the like) So I had a tablet to draw with clear back in the 1990's.  I bought the original Painter (in a paint can, no less).  I have always liked the idea of having a pen to be able to sketch and draw and paint with a digital interface.  Chances are that the thought of using both the analog of a drawing pen with the latest advancements in the digital realm.  If you know about me from my bio, you know that my primary profession is designing software interfaces.  This usually involves a very large amount of drawing.  About 6 years ago, I convinced my boss to let me get a Cintiq 21UX for work.  If you are looking at the Cintiq 24HD Touch, chances are that you are already a digital artist of some sort, or want to be.  When the announcement came of the 24HD, I got really excited about the added capabilities, with the extended full HD resolution.  For a while now, trying to do digital whiteboarding, using a HD projector with the Cintiq 21, was a pain.  So I thought that moving to a full 1920x1200 resolution would enhance this greatly.  Probably my main excitement came from the enhanced ergonomics of being able to pull the drawing surface closer to me.  Drawing on the 21UX was alright, but trying to keep a keyboard close by, and draw made for a sore back most of the time.  To my surprise, Wacom announced a Touch version of the same 24 HD.  To me, this was going to remove the need for keeping an external keyboard nearby.  I watched several of the marketing videos that showed "beta" software that made this thing really sing.  I had to have one.


Here is what I actually use it for.....  So my primary uses were going to be, drawing user interfaces, mostly in Photoshop, and photo retouching in Lightroom and painting in Painter 12 on my personal time.  So I use this to draw, edit, prototype, and share what I am drawing by hooking to a HD projector and mirroring the Cintiq display on the projector.  I started with Windows 7 Enterprise Edition and most of the features that were demoed in "beta" software, were released by the time I got the Cintiq.  While it wan't perfect, like how Painter would stop being able to touch the tools menu bar, even though multi-touch zoom and rotate would continue to work, it was awesome.  Photoshop had it's own strange-ness with using touch features to zoom and rotate, but it too was very cool. Being able to see what you are drawing and touching right on the screen as you draw it, is amazing.  Especially when you switch between a pencil, to a pen, to a brush, to selection tools, it is awesome.  As a monitor, the color reproduction is also much improved over the 21UX. 


Here are the things I didn't expect or didn't likeWow, where to start. So I thought that software updates would fix all the annoying bugs that seem to happen in the initial release.  I upgraded both the Wacom drivers and other software like Adobe Photoshop as soon as they were released.  This was the worst experience that I have had with any piece of software.  I am not one to complain about buggy software, because I know the nature of software because I write software.  It is rarely perfect.  But when every update actually made things worst, or kept things the same, I went from annoyed, to livid over the course of several months.  I updated to Windows 8, thinking that maybe these products were being tested in a different environment than I might be using -- no such luck.   So without taking you through the process, today, almost a year after the release of this product, it doesn't work even as well as it did the first day.  I actually did an unboxing and a review of the product when I got it, and showed features that don't work now.  As far as I can tell, Adobe pulled out of being able to support some of the basic features of this touch and pen enablement.  So, for most people, this means that using their primary software choice, Adobe Photoshop, requires the touch feature to be turned off.  This wouldn't be so bad accept for the fact that it kinda worked before, as it was a selling point in the marketing material.  It was very strange to watch how Wacom had remove marketing material and place "disclaimers" on their website saying that Adobe didn't support touch features.  It also wouldn't be as bad if the touch version was a few hundred dollars difference.  But it's not, it's 1000 + more for the touch version. 
I do not think that knowing what I know now, that having the touch version is worth the trouble and heartache that I have had over this past year.  My disclaimer for this is that Adobe might come around an do a update tomorrow and make it all better.  The testing teams of both Wacom and Adobe should be ashamed of themselves.  They let a marketing and sales teams push through a product that wasn't ready.  Shame on them.  Shame on Adobe for not recognizing this trend and having a touch ready product with the release of Windows 8.  This was the primary reason that most people bought a Windows 8 tablet and if they did, they are frustrated trying to learn some other drawing program and product.  I can understand not doing an RT version, but are you really going to ignore the potential market of Touch and Pen combination that would have been huge.   
I spent a huge amount of time trying to get a Touch Keyboard that would work well.  I found the Windows 7 virtual keyboard to be useful, but without enough flexibility to really use it to replace a hardware keyboard.  The Windows 8 touch keyboard is better in some areas, but much much worse as a replacement keyboard, as it is designed for tablet devices and not desktop screens.  I will probably do a full review just on the state of the virtual keyboard world.  


Here are the super cool things that I love about itSo, with all that said, and ignoring touch features for a moment. The pen interface (even though there have been problems with certain pens and programs) for me, it has worked very well.  Like I said before, the color and brightness and the texture of the screen are all great.  The touch ring and programmable buttons are all so much better and very useful.  I love the multi-touch added capabilities that are also programable.  Being able to position the screen at an angle to prevent back ache makes things so much more comfortable. Too bad I have to turn off touch and still position a keyboard within reach. 
I am so utterly disappointed with this product.  It is like having something that is a dream come true, but, when you get it, it is all smoke and mirrors.  I have to say that there was a large stretch of time that I just didn't use it.  I used the old fall back of just a mouse and keyboard.  That was just sad times.  
There may come a day when Wacom and Adobe get back together to give creative professionals the best experience that money can buy - who knows, it could be next month, next year, or maybe never.  Right now, there is NO REASON to buy the Touch version unless you are a gluten for punishment.  Wait till they figure out what the hell they are doing. 


Settings that I use all the time…
Custom settings for buttons for applications
Multiple monitor setup and projector mirroring
Cakewalk Sonar X2 with update for touch (Win8 only but still very cool)